![]() ITC SchizoidĪ compulsive day of sketching by illustrator Frank Marciuliano led to this squiggly, nervous design. Its twisted, lowercase ‘g’ and an ‘e’ that could double as an upside-down ‘a’ both add to the design’s spooky personality. Drawn by Italian designer Giuseppe Errico, ITC Ludwig refuses to be con?ned to a traditional baseline. It’s nervous, tense – maybe even a little scary. ![]() “The name came to me as the letters appear to jig along – it just seemed to ?t.” ITC Ludwig This oddly-named typeface evolved from lettering for a project that needed to be “quirky, wacky, and fun,” says designer Carol Kemp, a lettering artist in Sussex, England. The capitals are ideal for initials the lowercase delivers maximum impact when set tightly. Curled ?ourishes wrap the fashionable uppercase like haughty feather boas. HollyweirdĪ bold display script with a funky, unkempt appearance, Hollyweird was designed by California lettering artist Jill Bell. The result is a collection of fantasy characters ready to haunt, hover and spook. Here he renders an eclectic group of gargoyles in “cartoony” ink. This zany assortment of illustrations comes from the wildly creative imagination of designer and illustrator Steve Zafarana. A collection of alternate characters and ominous spot illustrations guarantee striking and effective graphics. Shocking splatters give this typeface by noted British designer Andrew Smith a dangerous look, but Chiller is surprisingly legible, even in small sizes. Here’s a guide to some blood-curdling fonts that just might scare the pants off your audience – and you! Chiller They’re for whenever you want to communicate a ghoulish, creepy feeling – think of horror book covers, movie posters, rock group logos, T-shirts and web sites. Scary fonts are not just for Halloween, of course. It’s the perfect time of year to say “boo!” to scary fonts. Halloween is around the corner, and with it, an onslaught of spooky graphics on invitations, posters, ?yers, decorations, and greeting cards.
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